“No More Ladies” (1935): Joan Crawford’s Timeless Elegance in a Classic Comedy of Love and Reform

Released in 1935, “No More Ladies” is a classic American comedy film that explores the complexities of love, marriage, and infidelity. Starring Hollywood icon Joan Crawford alongside Robert Montgomery and Charlie Ruggles, the film was distributed by Metro-Goldwyn-Mayer (MGM) and directed by Edward H. Griffith, with some scenes directed by George Cukor. Adapted from a play by A.E. Thomas, the story centers around Marcia Townsend (Crawford), who marries the charming but philandering Sherry Warren (Montgomery) in an attempt to reform him. To teach him a lesson, she organizes a party inviting all his past romantic interests.

Joan Crawford, celebrated for her beauty and strong screen presence, effortlessly brought Marcia Townsend to life. Known for her professionalism, Crawford played an active role in developing her character, collaborating closely with writers Donald Ogden Stewart and Horace Jackson to add depth to Marcia.

On set, the film buzzed with activity, featuring a star-studded cast and high production values. Crawford’s professionalism and focus, despite the challenges of filmmaking, earned her the respect of co-stars and crew alike. The costumes, designed by Adrian, MGM’s chief costume designer, were meticulously crafted to reflect Marcia’s high-society background and emotional journey, with Crawford actively involved in the design process.

Despite changes in the directorial team, Crawford adapted seamlessly, ensuring the film maintained its integrity. Her on-screen chemistry with Robert Montgomery reflected their professional rapport and mutual respect. Crawford’s dedication, from addressing script concerns to being the last to leave the set, underscored her role as a unifying force in the production of “No More Ladies.”